Suresh Deshmane shows his talent as the cinematographer. The technical department is the biggest saving grace. But there was no need to make the characters forcefully shove things in our faces to create the effect. Coming to the 3D effects, they are impressive at times. ![]() However, such scenes don’t provide much satisfaction since the grip is hardly there. There is some excitement in between whenever the story does develop, especially due to Tatya’s antics. Giving too much footage to Adinath’s character also plays spoilsport. But strangely, it soon goes downhill and how! For the majority of the following duration, we are made to encounter a mixture of poor humor, consisting childish chase scenes, silly flirting and stereotype gay jokes, and an immature love story with the story hardly moving forward. The movie starts on an exciting note though. ![]() This turns out to be the reason for the keenly awaited film of the year falling below expectations. But such technical brilliance proves to be of little value if the writing is weak and, at times, silly. ![]() In terms of technicalities, the film does score high marks. As the film continues to impress even twenty years after its release, its sequel Zapatlela 2is, naturally, keenly awaited, more so since it is the first Marathi film in 3D. Review:Despite too many songs and unnecessary subplots, Zapatlela (1993) managed to highly impress due to an amusing storyline and, of course, the menacing puppet Tatya Vinchu.
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